Gang. What is happening? How was your weekend? Mine? Oh, not too shabby. A little CHIKARA Pro weekend that I wasn’t at all excited about.
[EDITOR’S NOTE:] You know, at times, the readers can’t sense your sarcasm.
Oh boy, “Ed.” Can I at least say “hello again” for the first time in two weeks? Besides, there were no grammatical errors in my greeting.
[ED:] You wrote “shaggy,” not “shabby.” Fixed that. Technically, your last sentence about CHIKARA is not one.
You done? I write how I talk. My verbage butchers the English language.
[ED:] It’s “verbiage,” not “verbage.” Please, continue.
You left that in, didn’t you?
[ED:] Italicized, too.
Ugh. Anyway, I got to attend CHIKARA Pro’s Turn Left and Bad Wolf. Fantastic stuff. I will likely get together with Kevin Ford soon to discuss the awesomeness we both witnessed live. If you live under a rock, Wrestlemania took place Sunday from “The Citrus Bowl” in Orlando, FL. A $15 Uber fare from my home. Getting back from ‘Mania was a different, boring, and sad story of two guys who just should’ve gotten a ride from the other guy who ended up coming back downtown to pick up the stranded duo. But I digress. WWE never disappoints… Okay, let me rephrase that—Wrestlemania 33 was, in my opinion, the best Wrestlemania in maybe ten years. It was great time.
But let’s back it up. The highlight of my weekend came at Friday night’s Turn Left. A while back I bought Debbie Gibson’s 1987 chart-topper, Out of the Blue, on vinyl. For one, spinning it took me back to racing around a roller-rink after a tough day as a 2nd grader. Also: Altered Beast—which, now that I think about it, is associated with the roller-skating.
The point of the album purchase was for last Friday night. As soon as I walked into the building with Kevin and Heeltown USA’s Jerrelle Hamilton, there stood my target: CHIKARA’s Senior Official (ref), Bryce Remsberg. He and CHIKARA Director of Fun, Mike Quackenbush, host a bi/tri-weekly CHIKARA-centric podcast entitled #DeepBlueSomething. Now, I’d have to go back and listen to the first episodes. Can’t remember how the title came to be. In my brain, the “one-hit wonder” band, Deep Blue Something—responsible for 1995’s “Breakfast at Tiffany’s.”—is where the name of the show came from.
[ED:] Indeed. Listen to the intro.
Well, okay, you’re right, Ed. I originally thought, “Pete and Pete?” But now that I think about it, when “Breakfast at Tiffany’s” was spinning on the FM radio every 30 minutes in 1995, I thought the song sounded like the theme song to Nickelodeon’s The Adventures of Pete & Pete.
So, yeah, #DeepBlueSomething is set by a standard of rules (which I love). In each episode, Mike and Bryce discuss: 1. Something old (about CHIKARA Pro), 2. Something new, 3. Something borrowed, and 4. Something blue—like the things a bride has to have as a part of her wedding ensemble. In one of the first episodes, Bryce tells a story of his childhood obsession with Debbie Gibson. Out of the Blue was the album that put Gibson on the map. The duo decided early on that “Debbies” is the moniker for the #DeepBlueSomething listeners. As a podcast host myself, it’s one of my favorites. The overall structure and flow makes it easy to listen to. Plus, if you’re fan of CHIKARA Pro—or pro-wrestling in general—it’s worth the spin.
Now let’s get back to entering the arena floor at the OLE. I walked up to Bryce with my album and blue Sharpie. He stood behind a merch table, selling his 8 x 10’s. I asked him if he could sign something for me. Bryce is nice. It’s his thing, so, of course he obliged. I pulled the album out of the parcel in which it was originally delivered. Bryce immediately said that signing Debbie Gibson’s Out of the Blue made his weekend. It was a super-nice thing to say and exactly the reaction I wanted to get out of him at the start of a busy weekend. But, I wanted Mike to sign it as well. Like a Mutant telepath, Bryce asked if I wanted Mike’s autograph before I could. A few minutes later, I was graced with an album cover even more beautiful than it was before. I think both of them got a real kick out it—my favorite referee and one of pro-wrestling’s true superheroes. Last weekend ruled.
What else, what else? Oh yeah, comics! Last week was rather hectic. Not a lot of quiet time to read many titles. I did manage to get through the X-Men Prime one-shot that reset the X-Men (again.)
[ED:] Wait for it.
No, Ed. I’m not going to take a dump on the story. Reading this book “reset” some of my feelings and analysis.
[ED:] I thought the X-Men were a lost cause? Your favorite heroes were no longer your favorite heroes. Boo hoo.
Shut your mouth with your mouth. Did you read it?
[ED:] I’m your editor. That’s literally all I do.
Okay, then. Shush it up because the events in this quick story about Kitty Pryde’s return to the X-Men may have a glimmer of hope for the future. Look, you can go back to the past few weeks and read about my feelings on where the X-Men stood within the Marvel Universe during and following Inhumans vs. X-Men. Marc Guggenheim and Collen Bunn may be on their way to slowly but surely making X-titles readable again for long time readers and new ones as well. I emphasize the word “slowly” because that’s the only way to “Rebirth” the X-Men. The aforementioned Kitty Pryde is now “Cyclops.” Storm is now “Professor X.” Old Man Logan is… ugh. I just can’t dig it. Bring back the real one. It’s weird and, I don’t know? Unnecessary, maybe? Oh yeah, and the real Scott Summers should be on his way back soon too (while they’re at it). They don’t elude to that in any way during Prime, but wishful thinking helps.
Spoiler: The Jean Grey School for Higher Learning is now set dead in the middle of Central Park. Magik teleports it from Limbo to New York, but they don’t show it. I’ve been taught to “show, not tell” for so long I want to eat the Sun. I wasn’t a big fan of the reveal, but I like the X-Men back in New York. What I’m curious to see is if editorial explain how the subbasement that stretches for acres teleported inside the ground with grass and the terrain totally unaffected.
[ED:] It’s comic books, you fool. Let it happen.
This is coming from someone who has never read a comic book.
[ED:] I’ve read your sad attempts. That’s enough, yo-yo boy.
Ouch. Well, maybe I’m being a little too nitpicky, but I still thought that the final pages of an important new beginning weren’t fully presented to the reader.
Outside of learning of the new X-Men status quo, I didn’t get around to Infamous Iron Man last week, but I am surely catching up soon. The one book that surprised me when I saw it on the shelf was none other than the second volume of Alex Ziritt and Fabian Rangel Jr.’s Space Riders entitled: Galaxy of Brutality. I know this is one of the most kickass titles I’m reading when it names a volume after a Misfits compilation album. The first volume of Space Riders was a fever dream set in outer space. I’m about to run back through the first four issues again before reading the newest volume’s opening chapter. Stoked.
Let’s take a look at this week’s choice selections, shall we?
PULL LIST FOR 4/5
Sometimes when I look through the weekly solicits, I fear that highlighting only four issues on my pull list is an error on my part and that Wednesday will hold a surprise or two. I don’t think that’s the case anymore. I’ve scaled my weekly pulls way back. It seems that only one or two weeks a month provide me 5+ comic books. I can live with that.
X-Men Gold should prove interesting, if anything. Why Marvel isn’t making this the newest volume of Uncanny X-Men—for years, the main title—beats me in the brain. I will treat it as such, as will Marvel. I think.
Star Wars is so steady-Eddie. We’re picking back up with Luke this week, fresh of traversing the stars with his head buried in Obi-Wan Kenobi’s book of memoirs and tales of Jedi’s past. The Yoda story he/we just read about may end up presenting parallel events Luke is about to face. Jason Aaron and Salvador Larroca do work.
Paper Girls is a title where I am currently four issues behind, all the time. Like, I’ll binge read books like this because so much is happening—a time-displaced adventures such as this. Reading’s easier that way because you have a better sense of “when” you are within the story. Plus, it’s an indie title. Sometimes there can be delays, but Brian K. Vaughn rarely seems to miss a deadline. Cliff Chang provides beautiful art. I first noticed his work on Wonder Woman during Brian Azzarello’s run six years ago.
And, of course, after taking a week off, Superman comics are back for the next four weeks! This week in Superman #20, we come fresh of the hinges of “Superman Reborn,” which reset the Superman continuity. Our Superman now is the same Superman we’ve always known and “New-52 Supes” is also the Superman we’ve always known. They’re one in the same, much like Lois Lane and “New-52 Lois,” and also Jonathan Kent, who has now always been a part of the DC canon. It was well-executed. Super-excited to read the beginning of a new arc.
Well, that’s my time this week. Off to read some comics. Hope everyone has a wonderful week and I’ll catch you later!