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Orlando’s Comic “Strip”

For comic book enthusiasts, one of the best vacation destinations in the world becomes the land of “so much to do and so little time.” Orlando, Florida is home to, not only internationally known retailers, but home to over a dozen comic book shops all within 30-45 minutes of one another (depending on I-4 traffic). Utilize Google Maps and see that there are definitive “loops” natives and visitors can take in and around Orlando.

The loop for a proposed  “comic shop crawl.” (Photo/Google Maps)

The “fastest” loop in the city could start at the northern most point and work in a “J-configuration” all the way down to Universal Orlando. Or, make a “loopy J” and end up inside a mall that has an upstairs movie theatre. Look at it this way: each of these comic shops are a 15-minute drive from one another. There aren’t many places on Earth where you have as many comic book shops in such close vicinity. Unless this article is about “Planet Comic Books.” Unfortunately, this little piece of information is not because a planet of only comic book shops could only exist inside of Ready Player One. 

Orlando is really close, though.

The “definitive loop” begins in the city of Winter Park, which is one of Hulk’s incredible leaps away from Orlando-proper. A Comic Shop is located at 114 S Semoran Blvd. This narrow retailer provides its customers with the most recent issues of comics and memorabilia. It’s located across the street from Full Sail University and proves to be an excellent retailer for the school’s on-campus students and faculty.

About three miles south is Sci-Fi City. This store focuses more on tabletop gaming and all of the different games’ components. The store also provides customers with new comics as well as a heavy stock of back issues and out-of-print graphic novels.

Geographically, this is where the adventurist must make a crucial decision. Either go back a little way from which the adventurer came, or, head toward downtown Orlando. The latter could possibly be a bit monotonous, or a better word: monopolized. For the sake of making the tightest loop possible, the adventurer takes the road back from which he or she came.

Another two-mile trek from Sci-Fi City rests Hudson’s Comics, located at 200 N Semoran Blvd in Orlando. Here, customers will find new and old comics and toys. This store also specializes in the sale of rare statues from companies like Sideshow Collectibles and Bowen Designs. The store’s best feature is its inventory of Funko Pop vinyl figurines.

Next, a few miles back up Florida State Road 40 is Orlando Fashion Square. Inside is one of six locations for Coliseum of Comics in the central to southwestern region of Florida. (Hence: “monopolized.”) If you’re someone who reads the more recent comics and nothing years before, A Comic Shop is the choice retailer for new readers, and reader of weekly comics. “CoC” is for everyone else. It’s hard to argue that another store in this loop, or in the entire Central Florida area, has more to offer for comic book enthusiasts new and old.

A wall inside Coliseum of Comics (Mall at Millenia) covered in hot-selling, classic comic books. (Photo/Matt de Simone)

Comics, games, models, toys, posters, and t-shirts are just a few of the items that Coliseum of Comics sells. The store inside of Fashion Square Mall features a gaming station in the rear corner of the shop of tabletop gamers. Resting on the tables are massive, intricately designed 3-D maps to give the gamers the most realistic scenarios as possible.

The CoC sitting a couple hundred yards from the Mall at Millenia specializes in their assortment of statues that range from varying degrees of height and detail (and price). This store also displays many classic back issues that are going up in price, or older, lesser-known books that have somehow found a way to climb back up in value—usually due to the book’s story or characters tied to the most recent comic book film.

This brings this loop to somewhat of a close. Orlando also features Living Dead Comics, Mike’s Comics, Epic Comics, Gods & Monsters, and the massive Acme Superstore in Longwood. A comic book fan could spend an entire day driving around Orlando and it’s small, neighboring communities visiting comic shop after comic shop. For comic book enthusiasts visiting Orlando for the first time, be sure to plan ahead. There are comics, shops, and diverse showrooms to be seen.

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Follow Matt de Simone on Twitter and be sure to check out his weekly podcast.

MattyLovesComics 04.05.2017: “New Comics and Pro-Wrestling Hangovers”

Gang. What is happening? How was your weekend? Mine? Oh, not too shabby. A little CHIKARA Pro weekend that I wasn’t at all excited about.

[EDITOR’S NOTE:] You know, at times, the readers can’t sense your sarcasm.

Oh boy, “Ed.” Can I at least say “hello again” for the first time in two weeks? Besides, there were no grammatical errors in my greeting.

[ED:] You wrote “shaggy,” not “shabby.” Fixed that. Technically, your last sentence about CHIKARA is not one. 

You done? I write how I talk. My verbage butchers the English language.

[ED:] It’s “verbiage,” not “verbage.” Please, continue. 

You left that in, didn’t you?

[ED:] Italicized, too. 

c8xlrmguwaaudlUgh. Anyway, I got to attend CHIKARA Pro’s Turn Left and Bad Wolf. Fantastic stuff. I will likely get together with Kevin Ford soon to discuss the awesomeness we both witnessed live. If you live under a rock, Wrestlemania took place Sunday from “The Citrus Bowl” in Orlando, FL. A $15 Uber fare from my home. Getting back from ‘Mania was a different, boring, and sad story of two guys who just should’ve gotten a ride from the other guy who ended up coming back downtown to pick up the stranded duo. But I digress. WWE never disappoints… Okay, let me rephrase that—Wrestlemania 33 was, in my opinion, the best Wrestlemania in maybe ten years. It was great time.

But let’s back it up. The highlight of my weekend came at Friday night’s Turn Left. A while back I bought Debbie Gibson’s 1987 chart-topper, Out of the Blue, on vinyl. For one, spinning it took me back to racing around a roller-rink after a tough day as a 2nd grader. Also: Altered Beastwhich, now that I think about it, is associated with the roller-skating.

The point of the album purchase was for last Friday night. As soon as I walked into the building with Kevin and Heeltown USA’s Jerrelle Hamilton, there stood my target: CHIKARA’s Senior Official (ref), Bryce Remsberg. He and CHIKARA Director of Fun, Mike Quackenbush, host a bi/tri-weekly CHIKARA-centric podcast entitled #DeepBlueSomething. Now, I’d have to go back and listen to the first episodes. Can’t remember how the title came to be. In my brain, the “one-hit wonder” band, Deep Blue Something—responsible for 1995’s “Breakfast at Tiffany’s.”—is where the name of the show came from.

[ED:] Indeed. Listen to the intro.

Well, okay, you’re right, Ed. I originally thought, Pete and Pete?” But now that I think about it, when “Breakfast at Tiffany’s” was spinning on the FM radio every 30 minutes in 1995, I thought the song sounded like the theme song to Nickelodeon’s The Adventures of Pete & Pete.  

avatars-000234191459-cv9a8a-t500x500So, yeah, #DeepBlueSomething is set by a standard of rules (which I love). In each episode, Mike and Bryce discuss: 1. Something old (about CHIKARA Pro), 2. Something new, 3. Something borrowed, and 4. Something blue—like the things a bride has to have as a part of her wedding ensemble.  In one of the first episodes, Bryce tells a story of his childhood obsession with Debbie Gibson. Out of the Blue was the album that put Gibson on the map. The duo decided early on that “Debbies” is the moniker for the #DeepBlueSomething listeners. As a podcast host myself, it’s one of my favorites. The overall structure and flow makes it easy to listen to. Plus, if you’re fan of CHIKARA Pro—or pro-wrestling in general—it’s worth the spin.

Now let’s get back to entering the arena floor at the OLE. I walked up to Bryce with my album and blue Sharpie. He stood behind a merch table, selling his 8 x 10’s. I asked him if he could sign something for me. Bryce is nice. It’s his thing, so, of course he obliged. I pulled the album out of the parcel in which it was originally delivered. Bryce immediately said that signing Debbie Gibson’s Out of the Blue made his weekend. It was a super-nice thing to say and exactly the reaction I wanted to get out of him at the start of a busy weekend. But, I wanted Mike to sign it as well. Like a Mutant telepath, Bryce asked if I wanted Mike’s autograph before I could. A few minutes later, I was graced with an album cover even more beautiful than it was before. I think both of them got a real kick out it—my favorite referee and one of pro-wrestling’s true superheroes. Last weekend ruled.

What else, what else? Oh yeah, comics! Last week was rather hectic. Not a lot of quiet time to read many titles. I did manage to get through the X-Men Prime one-shot that reset the X-Men (again.)

[ED:] Wait for it. 

No, Ed. I’m not going to take a dump on the story. Reading this book “reset” some of my feelings and analysis.

[ED:] I thought the X-Men were a lost cause? Your favorite heroes were no longer your favorite heroes. Boo hoo. 

Shut your mouth with your mouth. Did you read it?

[ED:] I’m your editor. That’s literally all I do. 

471503-_sx1280_ql80_ttd_2028129Okay, then. Shush it up because the events in this quick story about Kitty Pryde’s return to the X-Men may have a glimmer of hope for the future. Look, you can go back to the past few weeks and read about my feelings on where the X-Men stood within the Marvel Universe during and following Inhumans vs. X-Men. Marc Guggenheim and Collen Bunn may be on their way to slowly but surely making X-titles readable again for long time readers and new ones as well. I emphasize the word “slowly” because that’s the only way to “Rebirth” the X-Men. The aforementioned Kitty Pryde is now “Cyclops.” Storm is now “Professor X.” Old Man Logan is… ugh. I just can’t dig it. Bring back the real one. It’s weird and, I don’t know? Unnecessary, maybe? Oh yeah, and the real Scott Summers should be on his way back soon too (while they’re at it). They don’t elude to that in any way during Prime, but wishful thinking helps.

Spoiler: The Jean Grey School for Higher Learning is now set dead in the middle of Central Park. Magik teleports it from Limbo to New York, but they don’t show it. I’ve been taught to “show, not tell” for so long I want to eat the Sun. I wasn’t a big fan of the reveal, but I like the X-Men back in New York. What I’m curious to see is if editorial explain how the subbasement that stretches for acres teleported inside the ground with grass and the terrain totally unaffected.

[ED:] It’s comic books, you fool. Let it happen. 

This is coming from someone who has never read a comic book.

[ED:] I’ve read your sad attempts. That’s enough, yo-yo boy. 

Ouch. Well, maybe I’m being a little too nitpicky, but I still thought that the final pages of an important new beginning weren’t fully presented to the reader.

Outside of learning of the new X-Men status quo, I didn’t get around to Infamous Iron Man last week, but I am surely catching up soon. The one book that surprised me when I saw it on the shelf was none other than the second volume of Alex Ziritt and Fabian Rangel Jr.’s Space Riders entitled: Galaxy of Brutality. I know this is one of the most kickass titles I’m reading when it names a volume after a Misfits compilation album. The first volume of Space Riders was a fever dream set in outer space. I’m about to run back through the first four issues again before reading the newest volume’s opening chapter. Stoked. 

Let’s take a look at this week’s choice selections, shall we?

gold_customPULL LIST FOR 4/5





Sometimes when I look through the weekly solicits, I fear that highlighting only four issues on my pull list is an error on my part and that Wednesday will hold a surprise or two. I don’t think that’s the case anymore. I’ve scaled my weekly pulls way back. It seems that only one or two weeks a month provide me 5+ comic books. I can live with that.

X-Men Gold should prove interesting, if anything. Why Marvel isn’t making this the newest volume of Uncanny X-Menfor years, the main title—beats me in the brain. I will treat it as such, as will Marvel. I think.

Star Wars is so steady-Eddie. We’re picking back up with Luke this week, fresh of traversing the stars with his head buried in Obi-Wan Kenobi’s book of memoirs and tales of Jedi’s past. The Yoda story he/we just read about may end up presenting parallel events Luke is about to face. Jason Aaron and Salvador Larroca do work.

paper-girls-2-headerPaper Girls is a title where I am currently four issues behind, all the time. Like, I’ll binge read books like this because so much is happening—a time-displaced adventures such as this. Reading’s easier that way because you have a better sense of “when” you are within the story. Plus, it’s an indie title. Sometimes there can be delays, but Brian K. Vaughn rarely seems to miss a deadline. Cliff Chang provides beautiful art. I first noticed his work on Wonder Woman during Brian Azzarello’s run six years ago.

And, of course, after taking a week off, Superman comics are back for the next four weeks! This week in Superman #20, we come fresh of the hinges of “Superman Reborn,” which reset the Superman continuity. Our Superman now is the same Superman we’ve always known and “New-52 Supes” is also the Superman we’ve always known. They’re one in the same, much like Lois Lane and “New-52 Lois,” and also Jonathan Kent, who has now always been a part of the DC canon. It was well-executed. Super-excited to read the beginning of a new arc.

Well, that’s my time this week. Off to read some comics. Hope everyone has a wonderful week and I’ll catch you later!

Screen Shot 2016-04-12 at 9.39.29 PMFollow Matty on Twitter:
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Vigilante Symbolizes Sanford Airport’s Heroic Past

The Orlando/Sanford region of central Florida is hope to many attractions. Many people flock to the area in early spring to experience the amusement parks and beaches in the area. Although fun in the sun is a given, another interesting experience isn’t hard to find. The Naval Air Warfare Center Training Systems Division is located in Orlando and acts as the main in-flight training center for the United States Navy’s promising squadron of pilots. Due to the Navy’s aeronautics division’s strong presence in the Orlando/Sanford area, many visitors and locals have opportunities to get up close and personal with actual aircrafts placed around central Florida like tacks on a map.

An RA-5C Vigilante rests on the grounds of the old Sanford Naval Air Station outside of Orlando-Sanford International Airport. (Photo/Matt de Simone)

One of the aircrafts on display is the RA-5C Vigilante—once the fastest aircraft to launch from a U.S. aircraft carrier. The sleek airship could reach to speeds exceeding Mach 2. In the late 60’s, the U.S. Navy restricted the aircraft’s speed due to their own regulations. However, pilots and engineers believed the aircraft had the ability to exceed Mach 2.5.

Many naval officers filled the cockpit during the late 1950’s through the 1970’s. In 1969, The Vigilante took part in the London/New York Mail Race–an event which celebrated the world’s first trans-Atlantic crossing. In terms of wartime merits, the Vigilante served the Navy proudly during the Vietnam War. Unfortunately, the United States Navy lost 23 RA-5Cs during the Vietnam insurgence. However, the Vigilante will be remembered for its purpose. Through smoke and fire, pilots of the RA-5C Vigilante gathered photos of the war before and after U.S. military strikes. These photographs proved useful throughout the theatre of war in the South Pacific.

Today, an RA-5C Vigilante is on display outside of the Orlando/Sanford International Airport in Sanford, FL. “Whenever I am driving into the airport, the trees break open to my right and there she is. I almost think she’s getting ready to take flight and fire off over the roof of my Volkswagon,” says frequent flier Jerrelle Hamilton of Virginia.

Each day, the RA-5C Vigilante display continuously welcomes new visitors. Surrounding the display are facts and other information about the fighter jet, as well as local reptilian wildlife that possibly consider the Vigilante their habitat’s galant protector.


Comic Book Retailers in the Digital Age

CREDIT: Matt de Simone, 2017

Comic books are a mainstay in modern pop culture. From the summer blockbusters to the cartoon series, all the way into annual comic book conventions, people of the world can identify with comic book culture and its cavalcade of heroes and villains. The fandom originates from the pages of the comic books that help shape the state of their industry today. Due to the culture’s recent rise in popularity, one would assume the sales of comic books are at an all-time high. Last year, a report stated that very fact. However, there are now different means to obtain comic books. At one time, weekly titles were only available in local, brick-and-mortar shops that specifically sold new comic books. However, now there are many different digital applications that allow people to purchase comic books. The proliferation of so many innovative methods for releasing new comic books makes tracking the overall bottom line difficult. So, how does this digital revolution effect local comic shops?

A recent article from Movie Pilot reports that Marvel Comics suffered a significant hit in sales last month (February, 2017). One of the reasons—aside from competition—is likely due to digital sales through new comic-media apps. Diamond Distributors tracks the bulk units sold to the retail shops, but doesn’t track the digital sales (nor the individual comics sold by the local shops). The only merchants who have the true finger on the pulse of most comic book readers are the retailers. The question that must be asked in this digital age of publishing is: what does it take as a local vendor to make sure your pre-purchased comics sell?

CREDIT: Matt de Simone, 2017

Oral Frier is a comic book retailer in Orlando, Florida. He stands behind the glass display case presenting colorful comic book fodder at A Comic Shop each Wednesday. Frier gleefully greets the customers picking up their weekly pulls as well as the new possible readers interested in their local comic book shop. The store’s owner, Aaron Haaland, has a video blog that is featured weekly on BleedingCool—a popular pop-culture website. The store is nationally known, and has many customers in eastern Orlando. Whether the customer is loyal or late to the game, Frier welcomes all people with a smile. He knows that the comic book industry tries hard to make all books approachable for any reader. One way Frier attributes his success of selling comics to new readers is due to “retailer summits that give those in the industry insight as to what to expect in the upcoming months.” He continues, “You have a pretty good idea of what’s coming.”

CREDIT: Matt de Simone, 2017

Nick DeCicco spent a portion of his professional life working in comic book retail. I worked in retail for 10 years,” Nick says. “Specifically [in] the comics and memorabilia [industry] for 3 years.” He spent most of years within the now defunct Hobby Spot, another comic book and memorabilia retail shop in Orlando. “If I could have stayed and talked shop with people and made more money I would have for sure. Not enough people buying to give people raises, etc.” He reasoning is understandable. Did it have to do with the growing universe of new comics readers see on the shelves every year?

Readers often complain about the many comic book publishers like Marvel and DC Comics produce annually. Unfortunately, potential comic book readers often conduct research online about different series and see articles bashing the convoluted stories in unexplainable timelines, which can deter those potential readers from ever getting into a comic book series. Frier states that, “people are often hesitant to start a series because they believe they’ve missed too much. I hear this a lot when I recommend a particular story arc in a series that doesn’t begin with an issue #1.

CREDIT: Matt de Simone, 2017

In this modern era of comic book publishing, many long-standing titles get rebooted or roll back into new volumes starting with “#1.” Friar says, “with new readers, it gives them easy access, so they feel like they belong.”

DeCicco agrees in regards to the new readers. “I think comics restarting gives kids and new readers a chance to feel like they can begin from the start and keep up with [the respective series] instead of the daunting task of going back or getting and trying to read compendiums.”

These new strategies make reading comics may be somewhat approachable, but at the same time overwhelming for new customers, which leads to readers losing track of which new series to jump on. However, even with the seemingly endless amount of new volumes of comics, readers can always touch base with their favorite characters from time to time. “I have worked in the comic book retail industry for the past six years,” Friar says. “I am constantly reading and I think that is a vital part of selling books. I’m not saying you should read every single book weekly, but you should attempt to at least peruse a series you aren’t actively reading from time to time to see what is happening.”

CREDIT: Matt de Simone, 2017

Could the constant start-stop-restart methods of storytelling be another reason why it has been hard to track sales of different titles? Possibly. The retailers have to do the best they can pushing books into readers’ hands and cash into the retailers’ register. High-priced issues are often promoted by publishers as a jumping on point. This results in most titles shifting back to issue #1. “If it is done with restraint, it is a great way to get readers both old and new on a title,” Friar adds. With the prevalence of comic book lure all over Hollywood, merchants like Frier do what they can in order to gain new customers. “It is a two-pronged approach,” Frier explains in regards to gaining new readers. “If someone wants to start with X-Men, I like to start people with Grant Morrison’s New X-Men or Joss Whedon’s Astonishing X-Men. The X-Men line is [historically] convoluted (hell, it is still convoluted to me, and I read it religiously), but those are solid places to start. That usually does the trick.”

As more comics are published digitally and in print, companies like Comixology and Diamond Distributors will likely come up with new, accurate ways to track the weekly sales of comics. Until then, the best place to gain a real idea of what flies off the shelves is through local retailers, like Oral Frier, who experience a myriad of sales and opinions on a daily basis. As the culture of comic book readers expands further into mainstream pop culture, the future of the comic book industry—although often hard to understand—will continue to spin stories that sell.

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MattyLovesComics: A Speculative Adventure – “B.A.D.” – The Michael Jackson Comic Book That Must Be Made

Late the other night (really late), I was watching an old documentary on Stock, Aiken, and Waterman. They’re the guys that produced Rick Astley’s and Kylie Minogue’s hits of the late 80’s. I don’t remember how a fell into this rabbit hole. Again, it was super-late. So here I am watching this nonsense and then I see a clip from (John Landis’) Michael Jackson’s Thirller. I finally lay down to be and throw the “Thriller” video on. After it’s finished, before I turn over into Sleepytown, I see that “Bad” is next up. Ugh. It had been a minute since I saw young-Wesley Snipes push around the “King of Pop.” My drowsy eyes endured the music video up until “Joe College” transforms into, well, The King of Pop—flanked by his “Deus Ex Machina” homeboys.

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I woke up and grabbed my laptop.

Why has Michael effin’ Jackson never starred in his own on-going comic book? He was a comic book fan. Hell, Stan Lee offered MJ a chance to partner-up and purchase the then fledgling Marvel Comics. Captain Eo surely had its own book, but that was a one-shot. Maybe the main issue was the over theme or mood of the book. Panels of MJ dancing might not translate well. But if he was dance-fighting? Like the Moonwalker video game? With the right angle, how could this story not be worth a read? These guys are pretty rad.

Weeks back, I posted a blog regarding a speculative adventure with one of my favorite comic book teams, the X-Men. This particular entry you’re currently zipping through is more of an express, world-building exercise featuring MJ and the cast of characters from the “Bad” music video… as well as a few other creations and familiar faces. Let’s get started then, shall we?


B.A.D.: You Know It! You Know! (You Know!)


B.A.D. boroughs



B.A.D.: Battle Attack DancewarriorsDefenders of Old Big City from the treachery of villainy.

Screen Shot 2017-03-25 at 5.50.45 AMShuh’mon (Hugh) Novitt (Team Leader)

Codename: The King

Abilities: “Moves” on a Cosmic level of power

Once dance-fought his way into another dimension. Dance-fought his way out. Can boogie beyond the capabilities of anything in the universes. Known for throwing disses in the midst of combat. (Hugh Novitt’s theme music.) Owns The Fedora Lounge, a nightclub in the Capone borough of Old Big City. Main-man of the city. You know him. You know it. You know it. Chum on-uh.

Screen Shot 2017-03-25 at 3.18.30 PMBobby Hooter

Codename: The Backpack

Abilities: Terrestrial Teleportation, low-level Sorcerery.

Teleports the entire squad by way of the Dangerous Dimension—an alternate reality where the human mind is incapable of withstanding the dimension’s atmospheric psychic energies. Able to phase through most objects. Stores all of The King’s weaponry in a magic backpack which only he can access. Anthropophobic—he can’t go anywhere without Hugh Novitt (See: above-uh, chum on-ah), whom Hooter saved, and then escaped out of the Dangerous Dimension years ago. His experience in the dimension caused severe mental trauma, which explains his disorder.

Screen Shot 2017-03-25 at 5.50.55 AMTino Torontow

Codename: ‘Thletics

Abilities: Super-agility, Probability Manipulation

The most athletic guy on the block. ‘Thelics bets a lot; so, basically this streetwise tough-guy abuses his ability to control the outcome of events. Always sporting fresh duds and killer “Glowglitter” enhancement packs. Star player of Old Big City’s underground Stickball league, where B.A.D. fields a team. They’re okay. Dancers don’t usually translate to Stickball. Tino keeps them above .500.

Oh wait, I didn’t mention Glowglitter—a synthetic form of what we humans call “glitter” which enhances the abilities of B.A.D. It was first developed by Dr. Barahptat Daboodop, whom B.A.D. now refers to as their sworn enemy, Pharaoh Nogo. He attempted to sell the “enhancement supplement” on the black market. The King upended Nogo and locked him up in the clink before the drug, I mean, enhancement supplement was distributed. (Or was it?)

Screen Shot 2017-03-25 at 5.51.53 AMGil Shumbacker

Codename: The Top

Abilities: Divine Body Control, Sonic Vision

Unable to be knocked off-balance, always lands on his feet (or head). Master of several street-level martial arts. Blind in both eyes. Years ago, Nogo, then Daboodop, impanted new eyes inside of Gil’s actual eyes. This was odd. Why not take out the old eyes and put in new ones? This is the greatest Super-advanced scientist of another place and time, is it not? Nogo is that, by the by. Anyway, the new eyes in the old ones have sonic enhancers. Then again, I wonder if Gil would rather hear in sonar that see in sonar? Wait, can you “hear in sonar?” I may have just discovered something. So, yeah, this is Gil the Top. He can hear with his eyes and ears

Screen Shot 2017-03-25 at 5.52.02 AMSoup Kristly and Poncho Kazimitzu

Codename: Good & Plenty

Abilities: Hive mind, Telepathy, Telekinesis

They share brains, finish each other’s sentences at an annoying frequency, and melt your mind. Not much is known about Soup and Poncho beyond that. They just show up. The rest of B.A.D. thinks they’re weird (aside from one or two members). The King welcomes them. But they’re still weird. Not in a, “those guys look like they commit crimes on the side” way. More like in a “those guys are looking at me like I’m not who I say I am and it’s creepy. Why are you two always sneaking around in the background getting down, fighting-style?” way. Why does The King and co. put up with this tandem? Because they’re arguably two of the strongest hit-makers. As in, making punches. With their minds.

Screen Shot 2017-03-25 at 5.51.47 AMTavares Angel

Codename: The Curtain

Abilities: Master Analyst, Persuasion

Runs the numbers; controls B.A.D.’s assets. The King’s childhood best friend. Set up B.A.D.’s front—PYC’s, a cookie shop in the Blackerwhite borough of Old Big City. They sell the best cookies on the planet. A few members of the team prefer their Glowglitter sprinkled on top of Snickerdoodles. Tavares calls them “Glowglitterdoodles.” He’s a smart guy, just not extremely creative on the titling front. He did come up with “The Curtain.” So, there’s a little redemption.

Screen Shot 2017-03-25 at 5.51.27 AMThe drummer of Tesla

Codename: The Drummer of Tesla

Abilities: Technopathy – Mechanokinesis

Rock star by day. Rock star by night. Builder of anything by midnight. TDT builds all of B.A.D.’s vehicles and weaponry. The King’s a big Tesla fan. Once the boss realized TDT was able to build literally anything out of anything, the acquisition of TDT’s services was finalized. Soon after joining the unit, TDT built their subbasement compound underneath PYC’s.

Screen Shot 2017-03-25 at 5.51.20 AMLouis Lochart

Codename: The Acrobat

Abilities: Super-acrobatics, Hair Empowerment

Carny. Stylist. Louis’s biology naturally takes to Glowglitter better than the rest of the team. An acrobat in the Ol’ Old Big City Circus. Hair grows at will—from anywhere—and gains durability. (Example: chest hair as durable as Kevlar.) Only way to cut it, is to burn in. Louis is known to smell like burnt ass. Hangs occasionally with Good & Plenty.

Screen Shot 2017-03-25 at 5.51.39 AMD-Watt Turner

Codename: The Ice-Cold Crusher

Abilities: low-level Weather Manipulation, Cold Touch

Controls weather within a limited radius. “Freezes” his skin making his exterior more dense and tough, like an iceberg. Enemies often risk frostbite if contact is made with D-Watt’s skin in freeze-mode. He’s moody, though. Don’t expect many sunny days on the blocks across the Blugangsta borough of Old Big City.

Screen Shot 2017-03-25 at 5.51.12 AMSamuel Coolranch

Codename: The Tonka

Abilities: Invulnerability, Gravity Manipulation

B.A.D.’s tank. Appears to move at near supersonic speed when pop, lock, and rushing enemies, when in actuality, The Tonka can “fall” toward them by controlling the direction of gravity around him. The Glowglitter takes to Samuel almost as naturally as it does to The Acrobat. His active gym-life increases his invulnerability. Samuel is a personal trainer and “Jam-ersizing” instructor at Gym In To Me—located in the Bubbles borough of Old Big City. You can see The Tonka occasionally attending Saturday morning’s “Boobs N’ Break’fus” at Dirty Diana’s on the south side. Good & Plenty are also valued guests of this establishment. They’re weird.

Screen Shot 2017-03-25 at 5.51.05 AMSinbad Suvighi

Codename: The Show-Gun

Abilities: Tactile Telekinesis, Genetically Enhanced Agility

Genetically bred by Pharaoh Nogo as part of Nogo’s alpha-stage experiments. Merely invincible. A force field protects The Show-Gun from severe physical damage and enhances his already enhanced enhancements. Commutes by way of flight at a supersonic level. Use field to act like sunglasses, shielding his outward appearance. Runs a self-defense dojo out of Gym In To Me. Often Tonka’s transport. Often waiting for Tonka to finish his business at “Boobs N’ Break’fus.”


Dr. Barahptat Daboodop

Codename: Pharaoh Nogo

Abilities: Super Intelligence, Chemical Manipulation

Once the mentor of The King and his B.A.D. compatriots. A harrowing trip to the Dangerous Dimension left the mind of then Dr. Daboodop in ruins. The persona of “Pharaoh Nogo” was born when The Supreme Leader’s forces took over the southernmost point of Old Big City, detached the land mass of South Capone and transformed it into the island now known as Eo City. Fearing that B.A.D. stood zero chance of stopping the invasion, Nogo took on the, “if you can’t beat ‘em…” approach. Never once since working under the guidance of The Supreme Leader has Nogo stood face-to-face with the entity. Nogo now controls the criminal and scientific activity of mainland Old Big City, sworn to destroy B.A.D., the monster Nogo created.

“The Supreme Leader”

Codename: Supreme Leader

Abilities: unknown

Emerging from the Dangerous Dimension, The Supreme Leader and her horde of loyal mercenaries took over southern Old Big City and literally took the chunk of rock as their own. Those of the Dangerous Dimension can tell you of The Supreme Leader’s terror. Unfortunately, humans and even “Dancewarriors” don’t last very long in that plane of reality. Once thing we do know is that she wants to rest of Old Big City to house his realm from the “other side”—a “core” at the center of two universes.

The Lost Children

Abilities: Mind Control, Telepathy, Impenetrable Psionic Shield

A chorus of The Supreme Leader’s synthetic children literally shelved inside of The Supreme Leader’s Throne Room within her main headquarters on Eo City. The Lost Children consider The Supreme Leader to be their “mother,” often referring her as such. Much like obedient children, they carry out any orders under the guidance of their mother.

The Super Black Ninja

Abilities: Invisibility, Adoptive Muscle Memory

Exiled from their homeland in The Orient. Invades Blugangsta while B.A.D. is preoccupied with the discovery of Eo City. Honorable at any cost.

  • Billie Jean Kong

Codename: The Unbreakable

Abilities: Aside from the powers the Super Black Ninja already possess, The Unbreakable is the master-defender of the clan. Unmatched in combat due to latent magical shield prophesized never to have reached full potential.

An orphan who once knew a young, Louis Lochart a.k.a. The Acrobat, before he joined the circus. Joined the clan after conning her way through her teens before reaching The Orient. Joined the ranks, endured the torture, and became a Super Black Ninja. Adopted by the clan itself. Her masters are her father figures.

  • Kong Dao

Codename: Sifu

Abilities: Divine Power Bestowal

The Super Black Ninja. Grants the special abilities to those who survive the torturous training to become part of the clan. All but Billie Jean. She is the prophesized Unbreakable. One comes every 100 years. Once thought he held the latent magic needed to become the master-defender. Still feels he would make a better Unbreakable. Jealous of how powerful his adopted daughter, Billie Jean, is becoming. Wants to overtake Blugangsta, cordon it off and by way of magic and culture, and cultivate the small island into a new kingdom for his exiled people.

This comic essentially writes itself. Establish B.A.D. cleaning up the bad guy interlopers sent by Pharaoh Nogo. They find out that The Supreme Leader is planning to take over the rest of Old Big City. Who is the Supreme Leader? What has become of Eo City? B.A.D. thought Nogo was problem, now this “Supreme Leader?” Fortunately, Bobby Hooter a.k.a. The Backpack, is familiar with The Supreme Leader’s presence in the Dangerous Dimension. He knows the only thing The Supreme Leader brings to Old Big City is doom and uncertainty. The King trusts Hooter and orders The Curtain and others to prepare B.A.D.’s business endeavors for war. B.A.D.’s philanthropy now switches gears to “strategery.”

As I’m writing this paragraph, it’s been nearly 24 hours since I thought of this idea. I’m currently outlining eight volumes of stories that began as ridiculousness, but has now turned into a brief obsession. I think there may be some mileage here. Once I finish the eighth volume’s outline, I’ll put it down and see if my brain stays in this world. If it does so, that’s usually when I know I need to finish what I started. Would love to hear your thoughts, readers.

Until next time.

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MattyLovesComics 03.22.2017: “Kong and Comics”

Hey, gang! This week’s entry will be a rather short one. It’s been a busy couple of weeks. However, it’s no excuse to not keep up a discipline. I’ve enjoyed my return to the “Blog-o-sphere.” It also serves as a nice companion to my podcast, which is about to drop more pro-wrestling content as the “big week” steadily approaches. Speaking of, I’m looking at a nice, long weekend of cleaning my home as guests start to arrive this Monday for Wrestlemania weekend, next weekend. Good thing I got some needed entertainment out of the way last week. I’m going to be stressed for the next few days.

picture-703037-1489418110I finally watched Kong: Skull Island. To my pleasant surprise–at the film’s core—Kong’s a monster movie. The only reason I was surprised at how much of the film was a monster mash is solely based on previous attempts to reignite the fire of movie monsters. They all kind of sucked respectfully. The unfortunate aspect of KSI that I found similar to the crappy monster movies of years’ past was the A-list cast, working off a script an ambitious, 12-year old cinephile could write in the midst of his or her “monster film phase.” But what do I know? Did it work? Yes. That’s probably the most important thing to take away here. Kong: Skull Island is pretty cool.

The Kong fights are awesome. I’m not spoiling anything by revealing that Kong doesn’t interact with humans often, but when he does, it impacts the story on an emotional level. Oh yeah, and the post-credits scene. I’m sure a lot of people know by now what goes down. Fortunately, I was able to tune out anything “spoiler-rific,” although I had suspicions based on recent rumblings from Legendary Pictures. Not sure about you readers, but I’m not a fan on sitting through a film with a post-credit scene where nothing happens. The only exception: Marvel’s Avengers. If you’ve not yet seen Kong, think of the post-credits scene as the real story at the end of the day. Can you watch the last 30 minutes and figure out what’s happening? Most definitely. The ride is worth it, though. So is John C. Reilly. He’s hilarious.

At the conclusion of Kong, I realized that I’ve still yet to see Logan. Know me better than, you know, you, I don’t think I’m going to frustrate myself. I was totally not into X-Men Origins: Wolverine. It took me a second to remember that The Wolverine was the previous Wolvie picture, not Logan. (Which I didn’t see because of [see: prev link].) The X-Men: Origins franchise-to-be never got off the ground because (I think) the Wolverine movie pissed so many readers (me) and fans (also me) off. X-Men/X2-Wolverine works. I’m not getting into the other X-Men films—not directed by Matthew Vaughn—that have since graced us with their, um, “wonder?” Short answer: I’ve witnessed Wolverine do so much bad ass shit in the comics, I don’t want to see him take another one onscreen. 

c28ecaef6a048f1935dd52f64825ca16Admittedly, kids of my generation that first started reading comics in the late 80’s were enamored with Wolverine. I was eleven when first introduced to Lobo by some older kids at church who read comics. Even then I knew he was a poor man’s Wolvie. They disagreed. If Wolverine, The Punisher, The Comedian, and Rocket Raccoon were thrown in a blender, Lobo would be the gnarly result—by some weird, biological miracle. A “biker gang Superman,” essentially. Of course, I didn’t say that to those kids. Again, I was eleven. Anyway, you go back and read any Chris Claremont stories from the 80’s, “devil-horns” fly. Jason Aaron really got Logan as well. I dig that Wolverine as a character. I love the X-Men. Enjoy the films, readers. I’ll stick to the old stories instead. (Most certainly not the more recent ones.)

[EDITOR’S NOTE:] Oh, please. Not another riff on the apparent travesty that are X-Men comics of the last decade. It’s the same with fans of the Montreal Canadiens. Once, their franchise was unmatched in the NHL, but outside of a few flashes of greatness, they’ve been mediocre bordering on failures since the late 80’s. Sound familiar? 

“Ed,” you just made a sound analogy referencing the National Hockey League. I didn’t know you watched hockey. I thought cricket was your game.

[ED:] Well that was racist. 

I just thought that since you were from “Londonbury,” or “Oxlandshire,” that–

[ED:] You’re an imbecile. This is me taking my leave. Copy-edit your commentary regarding the “funny pages.” What’s on your pull list this week? 

Sometimes it’s just too easy with that guy. Let’s press on, shall we? Last week was a hefty week of reading. It was a good week, but there was a lot of stories to dig through. This week is totally manageable to remain on-track.

action-comics-976-218572PULL LIST FOR 3/22:








As you all know, Superman Reborn is at the top of my weekly stack. That’s pretty much the way it’s been since my first pull list back in 2000. I don’t know if I’ve ever read Superman series during a period of time where they were unquestionably the best comic books in the game. With Action and Superman each coming out every other week, the story has to be tight. I’ve stated before that Peter Tomasi and Dan Jurgens are killing it. I must also give props to Patrick Gleason, the artist on Superman, who is doing an awesome job visually introducing Jonathan Kent and his massive personality. But, yo, the rotation of artists (Patrick Zircher, Stephen Segovia, Jaime Mendoza, and Doug Mahnke) on Action Comics since Rebirth began has been most impressive. All styles work well in secession. You see this not work in some comics that switch artists like musical chairs.

Sort of like Extraordinary X-Men. It would’ve been nice if Humberto Ramos stayed on the title for a lengthy stay similar to Chris Bachalo’s art on Uncanny X-Men Vol. 3. Bachalo didn’t draw every arc, but a majority of the 30 or so issues contained his pencils. As soon as Ramos left the book’s interiors, so did my interest. Besides, as I’ve previously said, this doesn’t read like a Jeff Lemire comic. However, I am a completest. So, here’s to Extraordinary X-Men: another X-series I’ve wasted my money to complete.

4029623-whisperUnworthy Thor is just the opposite. This series could be some of the best money I’ve spent on entertainment in years. Why? Because this companion series to Mighty Thor answers questions that the main ongoing series cannot. Odinson is sick of the notion and rational that he’s no longer worthy to wield Mjolnir. At first, I thought Jason Aaron was just going to have Thor/Odinson accept this and we would see only one Thor in the form of Jane Foster fight the Thor-fights. Oh no. This week, readers discover what it was that the true-blue Nick Fury whispered to Odinson on the moon way back during Original Sin.

That’s going to wrap up this week’s entry. Cannot wait to crack into this week’s stack. Here’s to happy reading, gang! See you next week, hopefully!

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MattyLovesComics 03.15.2017: “BEWARE! The Ides of March/Macho/Mitch Murder Madness!”

I don’t if any of you can tell, but I’ve been pretty busy adding new content to my website like speculative adventures with the X-Men to my latest episode of MattyLovesPodcast with CHIKARAhistorian, Kevin Ford where we discuss the three latest episodes in the “binge-able” batches CHIKARA Pro Wrestling has released on their streaming service, CHIKARAtopia. There are 30 episodes of MLP now available over at iTunes, SoundCloud, and Stitcher. Of course, the full gambit (including the Wrestling with Football Podcast with Grant Sawyer) leading up to episode #52, is still avail in the YouTube archives. There you’ll hear the episodes that were more topical at the time of release. Stay tuned, there are more podcasts one the way.

I can’t tell you where this inspiration to add more content came from. What I do know that my productivity has a soundtrack. Music is very important to me. In my spells of downtrodden points, music has been a fantastic way of dealing with life’s obstacles. I’m sure you can relate. Music also helps me get out of creative funks, dig through my weekly pile of comics, and vacuum. Since the start of 2017, I’ve read a lot of comics. Last year consisted of me building up a stack and then grinding through it every month or so. Sometimes it felt like work. I’ve still needed to catch up a couple of titles because the backlog of a few titles was getting ridiculous. I dug out some collected editions out of the inventory to revisit with an adult brain (Grant Morrison’s New X-Men, Ed Brubaker’s X-Men run). Recently, I’ve been immersed in two genres of music while escaping into the comic book black hole that is my living room.

metallica-band-1986The first jammers aren’t really a genre, or maybe they are depending on who you’re talking to. On July 5th, I’m seeing Metallica at the Citrus Bowl down here in sunny Orlando, FL. I’m totally dialed in. However, ‘Tallica hasn’t been on the comic book-reading playlist, so much as being the stars of my “get ready for work” soundtrack. They’re one of those bands that I couldn’t wait to listen to once Mom thought I was old enough to rock. Metallica became an interest around the time I first started watching pro-wrestling. Older kids were on the school bus talking about …And Justice For All, then “The Black Album,” and then the Live Shit: Binge & Purge box set. I knew a kid up the street who had all that stuff to pique my curiosity eve more. Seeing Metallica live has been a lifelong quest. Sure, I’ve had opportunities, but I can also name all the extenuating circumstances that prevented me from seeing them all four attempts. Needless to say, I’m stoked.

The other genre is the soundtrack to any hero who: 1. Can drive fast vehicles, 2. shoot any gun, 3. karate anyone with expertise, 4. jump off high stuff, and 5. knows zero unattractive people in any aspect of personality or physicality. It’s also a brand of music that makes for fantastic background noise for reading, driving, or whatever. I’m talking about Synthwave music.

My curiosity started at an early age with John Carpenter. Fans of his work know that the score to his films make the film. Halloween, Escape From New York, and Big Trouble in Little China, to name a few, provide a rhythmic experience through the adventures, horrors, and magic of Carpenter’s motion pictures. Over the past few years, Carpenter released two volumes of Lost Themes which bestow upon listeners chances to imagine different stories that transpire during each of the previously unreleased tracks.

More recently, I came across the Synthwave band known as Power Glove. For most of you who know me, there’s no reason to explain my relation to the NES controller released in the late 80’s. Long story short, once I heard the sound, I thought of Kung Fury and Stranger Things. I thought of Miami Vice and Giorgio Moroder. I thought of Michael Knight and K.I.T.T. Synthwave takes me to places I want to be. The sound splits the atoms in my brain and sets off a creative explosion. The mushroom cloud of memory fills my head with nothing but a mission to unlock the “what’s next” and the new discoveries that await me within my own tales and the comics I read every day.

I’ll give you five more Synthwave acts that anyone would dig.

a4181376098_10Mitch MurderHave you ever seen the film Kung Fury? (Link’s above.) The awesome score is done by this dude. I first heard of the Swiss producer following my first six viewings of Fury. It’s got a killer soundtrack.


Robert Parker Another Swiss producer whose sound is a mix of 80’s films and European disco and house beats.


DynatronThis producer out of Denmark says he’s inspired by 80’s action flicks. I’m pretty sure all these producers are inspired by 80’s action flicks.

a3174902089_10The MidnightThis songwriting/producing duo is based out of L.A by way of the southern U.S. and Denmark respectively. They also use a cursive, neon logo. (What’s up with that, by the way? Seems like that’s a thing.)


LazerhawkPossibly my favorite band name out of this set of Synthwave acts. This producer is based out of Austin, TX. I’m definitely keeping an eye out to see if he’s heading to the FL area soon.

So that’s what I’ve been jamming to while I grind it out here in the Mattcave. Moving right along, let’s now get into the comics coming out this week. I want to start off by addressing three characters and their respective titles that lived in my pull list rotation for years. It’s weird to think that characters like Batman, the X-Men, and Invincible will soon be eliminated from my weekly pulls. One thing is for sure, two of the three won’t be awaiting my arrival at A Comic Shop in the near future.

I’ll begin with Batman. Scott Snyder and Greg Capullo’s run on New 52’s Batman is comparable to Geoff Johns’ run on Green Lantern leading up to and during the New 52 relaunch. My reasoning is solely based on the conclusions Snyder and Johns set up. After I read N52’s Batman #52 and Green Lantern #20, I thought, “This is it. Like, why even write stories beyond this point. Nothing will ever be this good.” I tried to stay on and get into Tom King’s recent run of “Rebirth Bats,” but much like Robert Vendetti taking over for Johns on GL titles, it’s just not the same. Couple this with Snyder’s newest Batman series, All-Star Batman, and you have me longing for The Court of Owls. I know Snyder and Capullo have a new Bats project on the horizon entitled “Metal,” but if there is any sort of lead-up, I will be in the dark (unless Rob at ComicsExplained breaks down King’s Batman and the remainder of Snyder’s All-Star series).

Then you have the X-Men.

[EDITOR’S NOTE:] Another X-Men rant, Matthew? Really?

Oh, there you are, “Ed.” I think I’ve figured out how to catch you, mid-edits.

[EDITOR’S NOTE:] Obviously. This completely defeats the purpose of my commentary. You can just write me out.

I can?

[EDITOR’S NOTE:] No. You can’t. And unless you want this to start turning into a Deadpool-type of scenario. Carry on with your gripes about a comic book series that really hasn’t been prevalent in 15 years.]

detail1Look, I’ve made my bones about the travesty that Marvel Comics has made of the X-Men U. It’s awful right now. The X-titles are almost as bad as the scramble before and after House of M. Fortunately, Marvel still had the scribing services of one Chris Claremont to at least make Uncanny X-Men enjoyable. I read recently that Jeff Lemire is leaving Marvel. My high hopes for Extraordinary X-Men were shot once Apocalypse Wars (plural) got underway. In my experience with Lemire’s work, his recent announcement makes sense to why Extraordinary doesn’t “feel” like a Lemire title. I’m not even going to get into Uncanny. I’m sure I’ve asked in previous posts why Marvel’s (supposedly) main X-title consists of all villains. I won’t again. The next event for the X-Men is ResurreXion. Once again, we’ll have TEN X-Men titles that have nothing to do with one another. So stupid. Why don’t we just have Uncanny X-Men and that’s that? How hard would that be to simply build the team back up from a single title? No? You gotta have as much money as possible? I get it. Do your thing, Marvel-money. You won’t see much from my pockets in regards to the X-Men—until they announce the next volume of Uncanny, because, well, I have almost all of them anyway.

My final gripe may be the biggest one of all. No comic book has affected me emotionally as much as Robert Kirkman’s Invincible. I’ve produced podcasts about the series. I’ve gushed about the first 15-20 volumes in past blog posts. For the past two years, the book reads like its been written by a robot programmed by Kirkman to specifically kick out weak stories while Kirkman maintains his duties on AMC’s The Walking Dead. Oliver, Invincible’s half-brother, was recently killed—which is a another “wtf, man” type of tangent I could ignite. If Invicible’s end happened three years ago, I would’ve been wrecked. Due to the fact that the past two years (like, six total issues) of story evoked zero emotions up to the point of—and during—Oliver’s demise, I don’t really care anymore. Now that I know the series ends in ten or so issues, I just want it to be over with. Kirkman, in all intents and purposes, should’ve ended Invincible after issue #100. The past 33 issues have been a waste. Let’s just be real. What a shame. It’s still the best 100 issues I’ve ever read from any story in the super-hero genre. I’ll likely stand by that forever, unless the end is unbearable. Then that would really be a shame.

But enough of the yuck-yuck over comics. There are what they are. Bats, the X-Men, and Invincible will hopefully be back to form one day. Fortunately, there are plenty of titles I’m currently reading that are hitting their strides. Let’s take a look at some examples from my pull list for this week.



killorbekilled_07-1AMAZING SPIDER-MAN 25











I must admit, this is the first hefty week of books in a minute. The Batman and X-Men titles respectively glare back at me. I’m up in the air about All-Star. There is still hope for the finale of Invincible. I probably will flip through Uncanny for the sole purpose that I’ve done so, much like the 500+ issues I’ve purchased before.

I love this mash of comics because the slate is a “time machine” of my favorite things. Let’s start with He-Man, the O.G. within my history of Geek. He-Man/Thundercats is a super-fun, “what if…” crossover where it’s basically the Eternians and Thunderians joining forces to stop Skeletor and Mumm-Ra from destroy everything. It’s a great time.

Superman and Action Comics really rock it out. Last week’s Action revealed that the “DoppelClark” was, in fact, Mr. Mxyzptlk. One really cool thing the folks at DC provided with was a background history of Mr. MITZ-EL-PLIK—oh yeah, and a confirmation that the way I’ve said his name all these years is the correct way. Well, that way, and four others. This week’s chapter will likely be the first book I crack open. The second being the trouble that Jonn-o Kent and Damian Wayne have gotten themselves into.

Warren Ellis’ Wild Storm continues. I dug the first issue where we basically get the introduction to the main cast, which includes Grifter, Zealot, Void, Jacob Marlowe, and Miles Craven. The only character I’m still scratching my head about is Michael Cray. When will be become Deathblow? Did that happen already? I still have a bunch of questions plot-wise.

“The Asgard/Shi’ar War” concludes this week. I’ve said it before (quite a few times, probably), the Shi’ar make things happen. They’re a wonderful combination of personalities and power sets to make themselves formidable—specifically on ground-level combat. You can never sleep on Gladiator. I don’t know if its Jason Aaron’s awesome stories and “Thor-verse” he created, or the insanely talented artists painting the pictures, but Thor-related events and stories for the past five (FIVE!) years have been incredible. Some of the best comic book content I’ve had the pleasure of absorbing in my life as a reader. I mean that. Thor: God of Thunder is a series I would not only recommend to new comic book readers interested in Thor, I would suggest TGoT to anyone who is interested in reading super-hero comic books in general. Jane Foster hasn’t disappointed me in the slightest.

And hey, hey Kill or be Killed is on the list! Again, this is likely going to win my “Best Comic of 2017” when the year is said and done. I’ll do another quick check to see if the series is being optioned as a television series. I haven’t seen anything yet. Just wait, gang. I’m telling you. This series would translate so well to a streaming service like Netflix. Hope you have considered this book to add on your must-read list.

[EDITOR’S NOTE:] It is quite good.

See? “Ed” knows. And he’s super-anal when it comes to comics he considers to be palatable much less a form of literature.

[EDITOR’S NOTE:] Excuse me, I read the “Archies.”

That’s kind of sad, Ed.

[EDITOR’S NOTE:] And yet here you are clamoring for the next episode of Riverdale which airs Thursday night.


[EDITOR’S NOTE:] Wrap it up, please.


Another reason I think KobK and other titles from Image Comics are so enjoyable is due to the fact that they’re inexpensive. They never stray from a hard $3.99 on monthly books containing zero ads throughout the story. Amazing Spider-Man #25 is “over-sized” and coming off the shelf at a $9.99 clip. Look, AMS holds one of the torches which continues to guide the Marvel through the endless caverns of canon. Dan Slott is one of the best writers in comics and will likely go down in history as one of the five best writers for the character of Peter Parker/Spider-Man. Still though, $10? Really? The book is 96 pages. However, only “40” contain the main story penned by Slott. I don’t know, man. Let’s just hope the corners of the book aren’t torn.

That’s it for this week, gang. Here’s to another excellent week and a rockin’ comic book Wednesday. Have fun! I’ll talk at you soon!

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